Zukra

Zukra / mezued / mezud. Algeria, Tunisia, Morocco.
African bagpipe made of goat skin.

Pungi

Pungi . Double indian clarinet.
Played with the continuous breathing technique : inspiration through the nose, air in the mouth.

Nay

Nay, ney, gasba, jawak

performers :

• Mehmet Arif Erdebil, Turkia
• Ahmad Muhammad Ahmad, Egypt

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Mizmar

Mizmar. Origin: Egypt. Turkish zurna. Indian shanaï / sahnaï / surnaï / nagasvaram – surney / sona (Cina), sralay (Kampuchea), pi nai (Thaïlandia). Sopile ( yougoslavia ), surnaj ( Tashkent), tiple (Spain), bombarde, chalémie (France), piffaro (Italia ), tarogato (Hongarien), alghaita (Niger), Auloi (Greece of the Vth century B.C), tibia – bone (Roman).
Wind instrument alike a popular oboe. The manufacturing and the terminology may vary according to the degree of islamization of the countries. Three different versions of the instrument exist in Egypt, each has a specific size and register and is used differently : the small sîbs, the big telf and the chalabîya or mizmar sa’idi ( medium size ). The mizmar performers in High Egypt, popularly named zoummarin, play in a trio and are rhythmically sustained by the tabla baladi a sort of double membrane drum, which also gives its name to the trio. The continuous breathing technique is essential : air is inspired through the nose while the cheeks are used as an air reservoir.

Doneli. algoza / satar

Doneli. algoza / satar. Double end-blown flute. Balutcyistan, Rajasthan, Sind.
The right-hand flute, called the “male” has 7 holes for a chromatic scale. This flute plays the chorus. The left flute called the “maiden” has 8 holes and is used as the drone. By plugging up the holes of the “maiden” with wax, the note of the drone is modified.
Performers: Firuz Sâjedi, Bayân, Khamisu Khân, Balutchisthan.

Cervelat .( cervelas )

Cervelat .( cervelas ) Europe